In memory of Christopher Clarkson, preserver of medieval manuscripts and bookbinding structures

Christopher Clarkson (Blackheath, UK 1938 – Oxford, UK 2017) was a distinguished conservator of medieval manuscripts and early printed books, and a thorough bookbinding historian, with a focus on the structural and material history of books from the birth of the codex to the early Renaissance.

He trained in design and graphic arts at the Camberwell College of Arts and Crafts (London, UK) and subsequently at the Royal College of Art (London, UK), where, almost by chance, he encountered the art of bookbinding and fine binding and was later taught by Peter Waters. He then went on to work with Anthony Cains at Douglas Cockerell & Son and with Roger Powell, where he deepened his understanding and knowledge about the repair of early printed books and manuscripts.

In 1966, he was invited to join the English Government team sent to respond to the cultural heritage emergency resulting from the devastating flood of 4th November in Florence, Italy. It was there that the principles of modern ‘book conservation’ (a phrase coined by Chris himself) were first formulated. These aimed at repairing books with a strong emphasis on the historical and archaeological significance of their materiality and structures, and not just on making the objects usable again or producing historical facsimiles, as was the custom, often in manners non-sympathetic to their materials, structures and historical evidence.

Chris went on to work at the Library of Congress (Washington, DC), The Walters Art Museum (Baltimore, MD), and the Bodleian Library (Oxford, UK), where he developed, in collaboration with David Cooper, the system of wedge book-supports now found in rare-book reading rooms worldwide.

In 1987, Chris embraced his calling as trainer and mentor of book conservation students and professionals. He moved to the Edward James Foundation at West Dean College (near Chichester, UK) and helped conservators from around the world develop a deeper understanding of the conservation of book materials. He was also involved from the very beginning in the shaping of the European Course in Preservation and Conservation of Book Materials held in Spoleto, Italy, since 1992, where he taught up to the early 2000s. He ran Staff Training programmes at the National Archives and the National Library of Slovenia (Ljubljana), the Bodleian Library, and the Wordsworth Trust at Dove Cottage (Grasmere, UK). He taught at the Rare Book School (USA) and run workshops and seminars in many countries, including Japan and South America.

In 2004, Christopher was awarded the Plowden Gold Medal of the Royal Warrant Holders Association in recognition of his invaluable contribution to training and educating conservators worldwide, fostering deep historical awareness of the materiality and structure of the books as objects. In 2012, he was awarded a Doctorate Honoris Causa by the University of the Arts London for his contributions to the history of bookbinding and archaeology of the book.

Throughout his career, Chris dedicated his research interests in the study and understanding of historical book materials and bookbinding structures, and medieval binding structures in particular.

Book conservation bridges a wide range of disciplines—history, science, engineering—, but also requires high levels of observational skills and craftsmanship. Advocating the close study of period materials and book structures, Chris, through thorough visual and tactile training sessions, taught his students to seek an ever-deeper knowledge of the historical integrity of artefacts.

Chris despised facsimile work—he called this ‘the danger of poor conservation training’—for past culture and artefacts cannot (nor should) be recreated by mindlessly applying historical typologies without an understanding of, and respect for, the unicum that each book is. Chris, thus, taught us how to see the object, with its peculiarities and unexpected characteristics: “to train the eye is to train the mind”, as he put it.

Understanding historical binding techniques, and the cultural significance of specific material characteristic of books, is a skill that has probably never been as relevant as it is today in our transition to the digital.

The teachings of Christopher Clarkson have influenced the new generations of book conservators globally, and for this we are all greatly in his debt, for his principles of conservation, aiming as they are at preserving the essence of each period artefact, safeguard historical material evidence in the collections of memory institutions the world over.

Now, this preserved information needs also to be transposed into the digital, and integrated with valuable digitization efforts of library and archive materials. Book conservators have been trained on how to see (and thus understand) period artefacts for their uniqueness: these skills should now also be taught to digital humanists engaged in the translation of our written cultural heritage into the digital medium.

If this happens, we will have a more complete representation of the object than we do nowadays, and for this we will also and always be thankful to Chris.


Alberto Campagnolo


Final note: On Monday, 26th June 2017, there will be a memorial for Christopher Clarkson at the University of the Arts London to celebrate his distinguished life with family, colleagues and friends. Unable to participate because of the distance, I would like to pay my respects to Chris with this post.


Call for Nominations to DM Board 2017-2019

Digital Medievalist will be holding elections at the end of June 2017 for four positions to its Executive Board. Board positions are for 2-year terms and incumbents may be re-elected (for a maximum of three terms in a row). Members of the Board are responsible for the overall direction of the organisation and leading the Digital Medievalist’s many projects and programmes. This is a working board, and so it would be expected that you are willing and able to commit time to helping Digital Medievalist undertake some of its activities, like editing the journal, organising conference sessions, administering website, facebook group and news feeds, or maintaining a technical infrastructure – and there is room for any initiative you would like to take to foster the communication on digital methods in medieval studies.

For further information about the Executive and Digital Medievalist more generally please see the website, particularly:

We are now seeking nominations (including self-nominations) for the annual elections. In order to be eligible for election, candidates must be members of Digital Medievalist (membership is conferred simply by subscription to the organisation’s mailing list, dm-l) and have made some demonstrable contribution either to the DM project (e.g. to the mailing list, or the wiki, etc.), or generally to the field of digital medieval studies.
If you are interested in running for these positions or are able to recommend a suitable candidate, please contact the returning officers, Dominique Stutzmann (dominique.stutzmann [at] and Lynn Ransom (lransom [at], who will treat your nomination or enquiries in confidence. The nomination period will close at 23:59 UTC on Thursday, 15 June. Elections will be held by electronic ballot from Thursday, 22 June 2016, closing at 23:59 UTC on Wednesday, 7 July 2016.

Best wishes,
Dominique Stutzmann and Lynn Ransom

CfP: Nature and Dream: Studies on the representation of reality in the Middle Ages

Call for Proposals

1. The NUME Research Group organizes a roundtable entitled Nature and Dream: Studies on the representation of reality in the Middle Ages.

2. The roundtable will focus on the medieval category of reality, with particular attention to the relationship between nature and other worlds, such as the dream, the miracle, the legend, the epic. We welcome studies addressing the problem of mental representation of the real in philosophical, literary and artistic fields, as well as the impact this representation has on specific aspects of European medieval culture.

3. The roundtable will take place at the offices of NUME Research Group (via Landino, 2 – Florence, Italy) or, in case of a significant number of participants, at another venue to be defined. The event will be on October 7th.

4. We anticipate contributors giving papers of 30 minutes. Please submit proposed titles and abstracts of 300 words (in English or Italian), with a short academic biography, by August 31st to: info(AT)nuovomedioevo(DOT)it

5. Speakers will be required to pay a participation fee of 60€.

Further information at:

Congreso Humanidades Digitales: Miradas hacia la Edad Media

Upcoming Conference announcement (in Spanish)

Estimadas/os compañeras/os,
Tenemos el placer de presentar el Congreso Internacional de la Red de Estudios Medievales Interdisciplinares Humanidades Digitales: miradas hacia la Edad Media que se celebrará del 9 al 11 de octubre de 2017, en la Facultad de Filología de la Universidad de Santiago de Compostela. El evento tiene como propósito crear un espacio propicio para la exposición, reflexión, diálogo y debate entre investigadores especializados o interesados en el medievalismo y las HD.

Tendrán cabida todas aquellas propuestas de carácter transversal y multidisciplinar, que combinen una o varias áreas de la medievalística (Filología, Arte, Historia, Filosofía, Música…) con las HD. Entre las posibles líneas temáticas, se acogerán comunicaciones sobre:

– Métodos y herramientas al servicio de los Estudios Medievales
– Las HD y la interdisciplinariedad en el campo de los Estudios Medievales
– Patrimonio europeo medieval digital. Nuevas formas y nuevos caminos
– Presentación de corpora, repertorios y bases de datos (Edad Media)
– Ediciones digitales de obras medievales
– ¿Hay futuro para las Humanidades fuera de las HD? Reflexiones sobre el presente y el futuro de los Estudios Medievales

Toda la información actualizada podrá consultarse en la web oficial , y cualquier consulta podrá dirigirse al correo electrónico medievodixital(AT)

Con esta llamada queremos invitaros a participar enviando vuestras propuestas de comunicación antes del 31 de mayo a través del formulario que figura en la citada página.

Rogamos vuestra colaboración en la difusión de esta actividad y quedamos a vuestra disposición.
Comité organizador


View and download the conference flyer HERE.

The Normans in the South

Mediterranean Meetings in the Central Middle Ages
Friday 30 June – Sunday 2 July, 2017
St Edmund Hall, University of Oxford

[PDF flyer HERE]

By some accounts, 1017 marked the advent of the Norman presence in Italy and Sicily, inaugurating a new era of invasion, interaction and integration in the Mediterranean. Whether or not we decide the millennial anniversary is significant, the moment offers an ideal opportunity to explore the story in the south, about a thousand years ago. To what extent did the Normans establish a cross-cultural empire? What can we learn by comparing the impact of the Norman presence in different parts of Europe? What insights are discoverable in comparing local histories of Italy and Sicily with broader historical ideas about transformation, empire and exchange? The conference draws together established, early-career and post-graduate scholars for a joint investigation of the Normans in the South, to explore together the many meetings of cultural, political and religious ideas in the Mediterranean in the central Middle Ages.

The three-day conference features 80 speakers from around the world, and three parallel strands of sessions: ‘Conquest and Culture’, ‘Art and Architecture’ and ‘Power and Politics’.

Secure your place: register by 31 May 2017 at:

Meal bookings optional; conference dinner places limited; early booking strongly recommended.

Conference Website and Programme

Keynote Speakers

Professor Graham Loud (University of Leeds)
Professor Jeremy Johns (University of Oxford)
Professor Sandro Carocci (University of Rome ‘Tor Vergata’)

featuring a short highlight talk by
Professor David Abulafia (University of Cambridge)


Please contact the conference organizer:
Dr Emily A. Winkler (emily.winkler(AT)


The Haskins Society
St Edmund Hall, Oxford
The John Fell OUP Fund (Oxford)
The Khalili Research Centre for the Art and Material Culture of the Middle East
The Oxford Research Centre for the Humanities (TORCH)