Digital Medievalist is overseen by an eight-member Executive Board of medievalists with considerable experience in the use of digital media in the study of medieval topics. Each year, four members of the Board are elected for a term of two years. Nominations and elections are normally held in late spring or early summer. All members of the Digital Medievalist community are encouraged to nominate candidates (including themselves) for the Board and to vote in the annual elections. See the Bylaws for more information.
TERM ENDING IN 2022
Luise Borek (2020-2022) is medievalist and digital philologist at TU Darmstadt, Germany. In her dissertation on Arthurian Horses (to be published as a supplement of the Zeitschrift für Deutsches Altertum, ZfdA) she combined medievalist content with Linked Open Data procedures. Former research projects include an interdisciplinary collaboration on the Interaction between linguistic and bioinformatics procedures, methods and algorithms based at the Trier Center for Digital Humanities and several years of experience as a member of DARIAH-DE (part of the ESFRI-Project DARIAH-EU) where she coordinated a cluster on Digital Annotation. As a founding member of TaDiRAH (Taxonomy of Digital Research Activities in the Humanities), she has co-developed a taxonomy for the description and indexing of DH resources, which is widely used in the community and is currently being transferred as LOD to the Vocabs Service of DARIAH-EU. Her fields of research include Arthurian Romance, Literary Animal Studies, Digital Editions, Lexicography, Manuscript Studies, Digital Curation, Historical Linguistics as well as Digital Humanities in general. She supports open science to help shape a sustainable foundation for the future, which not only connects the data, but also the researchers involved.
Tobias Hodel (since 2020-2022) is assistant professor in digital humanities at the University of Berne. He is a medievalist by training and received a Ph.D. from the University of Zurich [Schriftordnungen im Wandel, Konstanz 2020], where he was responsible for the digital edition of Königsfelden abbey as well as the e-learning environment “Ad fontes”, introducing students to paleography and further auxiliary sciences. He was part of the Horizon 2020 project READ (“Recognition and Enrichment of Archival Documents”) for the state archives of Zurich and responsible for handwritten text recognition models for documents of pre-modernity.
Laura Morreale (since 2020-2022) has a Ph.D. from Fordham University (2004) and is an Independent Scholar and Cultural Historian of the thirteenth- and fourteenth-century Italian peninsula, with particular interest in medieval French-language writings outside of the kingdom of France. She is the creator of the French of Italy and French of Outremer websites and a Lead Scholar on their associated web-based studies, including the Oxford Outremer Map, Exploring Place in theFrench of Italy, and the French of Outremer Legal Texts Translation Project. Laura is a co-editor of Middle Ages for Educators, an online resource for medievalists as they integrate digital approaches into their pedagogical practice. She is also the Project Lead on the Digital Documentation Process, a standardized citation and cataloguing system for born-digital projects, and Co-PI of the Documentary Archaeology of Late Medieval Europe (DALME) project based at Harvard University. Recent digital initiatives include the La Sfera International Challenge and the Deiphira Translation Project. Laura is currently the Chair of the Digital Humanities and Multimedia Studies Committee for the Medieval Academy of America (AY 2020-2021), where she also serves as a member of the CARA Executive Committee and one of the organization’s Councillors.
Lynn Ransom (2016-2022) is the Curator of Programs at the Schoenberg Institute for Manuscripts Studies at the University of Pennsylvania Libraries. Since 2008, she has directed the Schoenberg Database for Manuscripts, which is currently being redeveloped into an online, user-driven, community-maintained tool for the study of the movement of manuscripts across time and geography. She has also been the primary organizer for the Annual Schoenberg Symposium on Manuscript Studies in the Digital Age since 2008. Prior to coming to Penn, Dr. Ransom has held curatorial and research positions at the Free Library of Philadelphia and the Walters Art Museum in Baltimore and at the Index of Christian Art at Princeton University. She received her PhD in Art History from the University of Texas at Austin, specializing in 13th-century French manuscript illumination in 2001. She has published on the role of imagery in devotional practice from the 13th to the 16th century.
Claudia Sojer (2020-2022), born in Kitzbühel, Tirol (Austria), studied at the University of Bologna, where in 2009 she received her master’s degree in archive, library, and information sciences with a focus on manuscripts and old books. Upon completing her studies in Bologna, Sojer moved to Rome, where in 2014 she received her doctoral degree in a sub-area of history and historical auxiliary sciences on medieval and byzantine Vatican manuscripts and their later inclusion in 17th century publications by the Vatican’s Propaganda-Fide press. Sojer has contributed to numerous manuscript projects at home and abroad, and is the recipient of several local and international stipends and prizes. She was most recently awarded a Scholarship for Transnational Access to Special Collections and Transnational Access to Archival Documents ReIReS (Research Infrastructure on Religious Studies) at the Fondazione per le scienze religiose Giovanni XXIII (FSCIRE) at the Biblioteca Giuseppe Dossetti in Bologna, Italy, as well as a Harvard-Research-Award at the Dumbarton Oaks Library and Research Collection in Washington DC, U.S.A. Since October 2018, Sojer has been working on a Digital Humanities cooperation project at the Leopold-Franzens-Universität, Innsbruck between the Institute for History (Midde Ages) and the University and Provincial Library Tyrol in Innsbruck: https://www.uibk.ac.at/ulb/sondersammlungen/projekt-abgeloeste-fragmente.html. The project, which is funded by the Jubiläumsfonds der Österreichischen Nationalbank, aims to catalog and digitalize all detached manuscript fragments from the ULB Tyrol according to the latest scientific standards, and to make the data available on Fragmentarium (www.fragmentarium.ms), an international platform that was especially designed for fragments.
TERM ENDING IN 2023
N. Kıvılcım Yavuz (2021-2023) is the first Ann Hyde Postdoctoral Researcher of the Kenneth Spencer Research Library at the University of Kansas. She is working on enhancing access to the library’s substantial holdings of medieval and early modern European manuscripts by conducting new research and creating digital catalogue records for an open access digital repository for the manuscripts. Previously, she was Postdoctoral Research Associate at the Arnamagnæan Institute at the University of Copenhagen. Her work on the Latin manuscripts in the Arnamagnæan Collection resulted, among her other findings, in the rediscovery of a long-thought-to-be-lost library catalogue of Ferdinand Columbus. She serves on the Advisory Board of an ongoing project on this manuscript, “The Book of Books: Hernando Colón’s Libro de los Epítomes,” which is funded by the Carlsberg Foundation and which aims to create a digital edition of the fifteenth-century catalogue. Between August 2016 and August 2018, she was Marie Skłodowska-Curie Fellow at the Arnamagnæan Institute at the University of Copenhagen, working on her EU-funded project entitled “Transtextual Networks in the European Middle Ages: A Digital Corpus of the Trojan Narrative in Latin Manuscripts,” during when she created a digital catalogue of around 300 manuscripts. She has a BA in Comparative Literature (Istanbul Bilgi University) and an MA and a PhD in Medieval Studies (University of Leeds). She has taught courses on the history of the late antique, medieval and Renaissance Europe, medieval European literature, manuscript studies and digital humanities in Leeds, Copenhagen, Reykjavík, Leipzig and Lawrence, KS. Website: https://nkyavuz.com/. Twitter: @nkivilcimyavuz
Gustavo Fernández Riva (2021-2023) is a Postdoctoral Scholar at the University of Heidelberg (Germany). As a member of the Collaborative Research Centre ‘Material Text Cultures’, he develops tools for editing and researching pre-modern written artefacts, specifically relic labels, ancient letters, epigraphic inscriptions, and illuminated manuscripts. Since March 2021, he also lectures in the Digital Humanities degree at the UCES (Argentina), where he teaches a module on data analysis and visualization. He studied medieval literature at the universities of Buenos Aires (Argentina) and Porto (Portugal). His Ph.D. dissertation (University of Buenos Aires, 2018) included a critical edition in TEI and Spanish translation of texts by the Middle High German poet Konrad von Würzburg. He has also co-edited Der arme Heinrich – digital. His current research projects include using network analysis to study shared manuscript transmission of medieval texts and the creation of an open, collaborative dataset of philological stemmata.
Lisa Fagin Davis (2017-2023) (Medieval Studies PhD, Yale University, 1993) has been Executive Director of the Medieval Academy of America since 2013. Previously, she spent twenty years cataloguing pre-1600 manuscript collections across the US and has been involved in the development of metadata standards for manuscript cataloguing. She serves on the Advisory Committees for Digital Scriptorium, the Schoenberg Institute of Manuscript Studies, and Fragmentarium, and is deeply engaged in using and promoting both Mirador and IIIF. Publications include: the Beinecke Library Catalogue of Medieval and Renaissance Manuscripts, Vol. IV; The Gottschalk Antiphonary; the Directory of Pre-1600 Manuscripts in the United States and Canada (with Melissa Conway); numerous articles in the fields of manuscript studies and codicology; La Chronique Anonyme Universelle: Reading and Writing History in fifteenth-century France (a critical edition that includes a digital resource developed in collaboration with the Digital Mappaemundi project); and the Manuscript Road Trip blog. She regularly teaches an introduction to manuscript studies at the Simmons Graduate School of Library and Information Science.
Rose Faunce (2019-2023) (Ph.D. University of Melbourne, 2017) is part of the Research Services division in the College of Asia and the Pacific, Australian National University, and manages the College’s collection of art and artefacts. She has a background in the study of the history of the illustrated book, working for several years in the rare book and antiquarian print trade, specialising in natural history illustration. An encounter with the 14th century fragmentary Cocharelli Codex, dispersed in collections in London, Florence and Cleveland, led to a PhD under the supervision of Emeritus Professor Margaret Manion, to reconstruct transcribe and translate its text, and analyse the rich profusion of illustration gracing every page. Now, an intrepid ‘fragmentologist’, she is always on the look out for fragments of medieval manuscripts. Working with Fragmentarium, University of Fribourg, Switzerland, she oversees a project to identify and catalogue manuscript fragments in Australian and New Zealand collections to improve access to them for pedagogical and research purposes.